Honestly, I'm a Liar, & Other Balances & Imbalances

February 9, 2021

BEN OKRI (From Literary Hub)

Filed under: Uncategorized — Tags: , — namelessneed @ 2:31 am

May 24, 2016

surrendering you senseless

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Schlafwagen und Wunderkammer (Richard James Allen)

Posted on May 24, 2016 by in Heightened Talk

FullSizeRender(‘Schlafwagen und Wunderkammer’ is German for ‘sleeper’
or ‘sleeping car’ and
 ‘cabinet of curiosities’ or ‘wonder room’)

you are on the night train to Vienna
and you have already arrived in Berlin
you are about to walk home in Sydney
and you must dash back out to see
the play that is now more popular
than Hamlet in London

you are cold in your high sleeper bed
that you collapsed into
when the night heat came on
suddenly in a rush
without getting under the covers
that are now cold
that you collapsed into

you are wrapped in an old overcoat
you don’t remember owning
dreaming of trying to stay warm
in a high-raked hall of a tall-walled university
listening to a lecture on the mechanics of flashback
and your mind keeps wandering to a back shed
somewhere beyond the Wall in East Germany
full of homemade contraptions that were far too unreconstructed
ever to be sent to a Dickensian-looking patent office
piled high with yellowing documents
that curl like nineteenth century moustaches

you are in the long tail of a tall tale
a cat coiled up in itself asleep
the way those big ropes
that secure ships to their ports
are coiled into perfect circles
by nameless foreign seamen
the forever migrant workers
circling the globe
only one of whom
ever gets off the boat
to become Joseph Conrad

you are being asked by your roommate
your bunkmate your companion
what do you call someone
travelling with you on a night train
in one of the lower bunks
a person who for reasons unknown
shall remain nameless
to set an alarm so that she yes she
that much you can know
can wake up before the guard
who has no English comes with the croissants

you are sure you are reassuring her that you have
and it may be that you have
but you don’t remember in which country
or time zone you would have have-have-have done so
though you like the idea
that this act of thoughtfulness
may have occurred
and you being the enactor
if not the instigator of it

you are thinking that you may have to be the alarm clock yourself
though your clock hands are wrapped inside your imaginary overcoat
and not a lot about the rest of you resembles a device
for the capture and distribution of time

you are of the opinion that when you fell into this  sleep  in  a  cocoon  of  vibration  you
were  sure  or  at  least fairly certain that  it  would be a normal sleep that  is  to say just
like any other sleep but on the contrary  it  feels  as  if  you have been having the whole
history  of  consciousness downloaded into the data banks  of  your  body  which for an
unspecified period  of  time have replaced your usual cells but this  is  most odd as you
are  not  sure  if  you  believe  any more that consciousness  has  a  history  though  you
might  go  so far  as  to  offer  that it gets woven in to history finally realising that it was
only ever  a  visitor  to  the aforesaid state  of  you are not sure what really playing hide
and seek  in  the winding corridors and hallways of time and personality a game  it  got
caught up in but now understands it can step away from any time it wishes to exit
time that is to say whenever it no longer wishes to be part of
the here and the now
and the then and the to come

Knock, knock, knock!

so the question the guard asks you
in English by the way
is not would you care for some breakfast
but are you ready to be awoken from this dream of timelessness
or would you prefer to remain in a room of marvels
a disembodied spectacular down the rabbit hole of the fantasia elevator
taking up semipermanent residence in the cross-eyed manifesto
of time masterpieces of continuous previousness
a conspiracy of angels flocking in all directions at the holy speed of intuition
as you learn to live in the fantastic space

 

____________________________________________________________

smaller-cropped-Richard-James-Allen-portrait-by-Saba-Vasefi-Copyright-©-2016-The-Physical-TV-CompanyRichard James Allen’s ten books of poetry, fiction and performance texts include Fixing the Broken Nightingale(Flying Island Books), The Kamikaze Mind(Brandl & Schlesinger) and Thursday’s Fictions (Five Islands Press), shortlisted for the Kenneth Slessor Prize for Poetry.  He won the Chancellor’s Award for most outstanding PhD thesis at UTS.  Widely published in anthologies, journals and online for over thirty years, Allen has been the recipient of numerous awards, nominations, grants, as well as opportunities for presentations, screenings and broadcasts, in a unique international career as an acclaimed writer, director, choreographer and performer. Further information: http://ww.physicaltv.com.au & http://www.poetrylibrary.edu.au/poets/allen-richard-james.

September 18, 2015

HOW THEN THE HEAVENS POURED

Filed under: Uncategorized — Tags: , , , , , , , — namelessneed @ 9:24 am

Should I get older

I recognize me,  more blind,

Crinking my neck back, there, as

I look up at the cliff terrace

And A windowed hideaway behind,

Not so unapproachably high,

Fixed over our Pacific, finally,

That we thought might couldn’t be.

Hard rain, hell, wept down a wet

that mixes well w/regret, on my shirt

.

2

.

One can look past all our four shoulders

From inside the glass wall

On the backside of our Adirondacks

And maybe just make out

What we’re watching and talking about.

A man closely following his own footsteps

The long stretch of the shore,

But looked up at the both of us,

Here Hand in hand, and how then the heavens poured.

April 11, 2015

P A L P A B L E

Filed under: Uncategorized — Tags: , , , , , , , , , , , , , , — namelessneed @ 7:39 am

 

Neruda’s ” impalpable ash”

Chants away/

In the fray of my own tiny ruins.

.

If I touch/ near the fire/

Impalpable ash..”

Chimes away/

And supports the clearing away  all

Insubstantial,

Makes way to take less blinding steps away

From  cave  to  climax

I’ve come to have left out

Crucial  rescue  tools

From my matutinal

Lost-combination locked bag of tricks.

In touch  information

Out

 

 

March 12, 2015

STILL, THERE WAS THAT LIGHT

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She won’t remember when

Without a word we wandered

Dark  collegetown  neighborhoods.

Where were the dogs & cops?  I wondered.

We were thrilled for the night  still.

Still,  there were all the satellites.

And very still, there was that light

In a candlelit  picture  window.

It  gave  a silhouette, a shadow   readying  a bed.

Buffing up a sheet,  she showed us,

Me and my sister Janny,

Her  heartstopping   Beauty;

A silent ballet shadow show  that

We acknowledged

Her  walkstopping   ethereal naked lines,

Then  continued on, still wordless

Then  getting stiller yet.

.

.

.

.                              (happy birthday, janice)

March 1, 2013

Leonard Cohen Thrills

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November 16, 2012

Firedance

Filed under: fragments, prose — Tags: , , , , , , , , , — namelessneed @ 12:25 pm

 

 

“A man can bare himself before others only out of a particular kind of love.

A love which acknowledges, as it were,

that we are all wicked children”

— Ludwig  Wittgenstein

Savagely,

I can dance around a fire.

If the spirits take notice,

If they’re drawn by this sight,

As  we   might  be

lured by the light

of dead stars, already,

If the spirits take notice of

Me at the blaze

My body and face,

(Not at all faking

What I choose  to let loose)

Shiny, and shaking  away my disease,

Let said spirits kindly

sign off on release.

 

November 10, 2012

Another Throwaway Film Review

Filed under: fragments, prose — Tags: , , , , , , , , , , , , , , — namelessneed @ 10:36 am

 

 

 

 

 

 

 

 

 

what if

the differences

“menacing”  moonglare shadows;

stirred by high winds,

branches & loud leaves,

turn maniacal, turn  magical.

What if the differences  they made on

some moods some might have

early after just waking,

What if the difference they made was

benefitting  and lightened

awakening moods

like “I walked With A Zombie”  does.

 

 

August 15, 2012

BLOOD SHADOWS OILS FOR LATER

 

In the upper peninsula of Michigan
blustery State Road 2 you must go.
It’s quite common to drive over
deep blood in snow/ dead buck or  doe./
Just as felines must fall & fill gutters
South of there, all over./
deep blood in the snow./
With the people of upper Michigan
it’s quite common  they’ll drag & drape over
& tie up their meat
off the back of their battered trucks
and freight it home to their freezers
for later./

Here in Southwest Florida
on the way to work
it’s uncommon…
(I called out  “Oh My God!”)
it’s uncommon to drive over…
(I killed  an alligator)
I was light on sleep and late for work/
All in a dream’s dread,  in my headlights,
I called out  “Oh my God!”

Still, Later, When I left working, dark and yet dawning
(I had  left It for the taking.  &  It was gone.)
Still were spilled  shadows. most  it was gone.

Lost. home, what would save me?
milk cream & alcohol
Nor Down on my knees
under some Art on a wall;
Oils had spilled on an
empty space clean/
I know this all is from All.
(I called in “oh my god”)

.
stains for a dream

.

.

.

.

.

(from 3 yrs ago, true story)

July 20, 2012

still full in caftans

You need to know

You needn’t load these new cameras

It’s less necessary  this new era

I imagine now  new images

ejaculate pointblank to blank pages

Get-sets galore fill gallery folders

I heard Gatling gun wordings

for fun  function as captions

I read that the wind full in caftans

Help to heft up our boulders

.

still tho’

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